Ladislav Starevich (August 8, 1882 - February 26, 1965), born Władysław Starewicz (Russian: Владисла́в Алекса́ндрович Старе́вич), was a Polish stop-motion animator who used insects and animals as his protagonists.   Starewicz had interests in a number of different areas; by 1910 he was director of a museum of natural history in Kaunas. There he made four short live-action documentaries for the museum. For the fifth film, Starewicz wished to record the battle of two stag beetles, but was stymied by the fact that the nocturnal creatures inevitably went to sleep whenever the stage lighting was turned on. Inspired by a viewing of Les allumettes animées [Animated Matches] (1908) by Emile Cohl, Starewicz decided to re-create the fight through stop-motion animation: he removed the legs and mandibles from two beetle carcasses, then re-attached them with wax, creating articulated puppets. The result was the short film Lucanus Cervus (1910), apparently the first animated puppet film with a plot and the natal hour of Polish and Russian animation. Among the most notable are La Voix du rossignol (The Voice of the Nightingale) (1923), a hand-tinted film (some sources say Prizmacolor) starring the young "Nina Starr" (Janina Starevich) and the naturalistic nightingale who convinces her to free him, and Fétiche Mascotte (Duffy the Mascot, aka The Mascot, aka Puppet Love, aka The Devil’s Ball) (1934), a long and strange story about a loving dog puppet who practically goes through Hell to get an orange to a girl dying of scurvy, selected by Terry Gilliam as one of the ten best animated films of all time[1] From Wikipedia